Fantasy and Science Fiction: The Human Mind, Our Modern World - Coursera Assignment 4
Frankenstein
When Victor Frankenstein cobbled together his creation of disparate flesh, he neglected to give the being a name. Monster, Creature, Fiend, and Devil are used throughout the novel when referring to the re-animated man. However, because of a chance find of a portmanteau (1), it can be deduced that Frankenstein’s unnatural offspring chose to think of himself as Werther, after the character in “The Sorrows of Young Werther” by Johann Wolfgang von Goethe. Similarities exist between Frankenstein’s creation, and that of Goethe’s, and it is not surprising that the monster of Mary Shelley’s imagination identified with Werther’s anguish.
An element that forms a bond between Frankenstein’s nameless man and Werther is their relationship with nature. They are both more at home within the natural world than communing in the society of men. Bird song and the rising of the sun provide the creature with an understanding of the mysterious environment in which he’s been released, but nature’s lessons also inform him of his limitations (2).
In a similar sense, Werther’s delight and torment comes from the loveliest woods and the music of birds. He can’t understand why mankind would turn away from these gifts, and it pains him to be in the company of those who do not appreciate nature in all its glorious forms (3). Werther and Frankenstein’s creation view the savage beauty of nature as being more constant than human nature, which neither is adept at understanding.
By observing the natural world, the creature learns that he is something unnatural. There is no place for him amongst humanity. Likewise, Werther’s place in society is questioned because he can’t articulate his sentimental feelings about the world he inhabits. Neither can communicate his suffering, and this is what rips each of them away from those whom they love.
Works cited:
(1) Frankenstein, Mary Shelley
Chapter XV
I found a leathern portmanteau, containing…some books…they consisted of “Paradise Lost,”…“Plutarch's Lives,”…“Sorrows of Werther.”
(2) Frankenstein, Mary Shelley
Chapter XI
I tried to imitate the songs of birds, but was unable. I wished to express sensations in my own mode but inarticulate sounds which broke from me frightened me into silence again.
(3) The Sorrows of Young Werther, Johann Wolfgang von Goethe
Letter, August 18
Everything is alive with infinite number of forms…mankind fly for security to petty houses…they rule in their imaginations over the wide-extended universe.
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